On Saturday November 12th 2022 Julian will repeat his amazing marathon of the complete 32 Beethoven sonatas in a single day, which he last performed in London in October 2013. This”marathon” is Julian’s personal challenge to himself in advance of his 75th birthday, and six days later he will repeat it in Uruguay on his actual birthday. The London venue is St John’s Church Waterloo. Watch this space for more details as they become available, also Julian’s personal blog on the project which he will start soon!
The performance will be split into three sessions: morning, afternoon, and evening. Each session is £20, and if you wish to attend two (2) or three (3) sessions, please select them individually at checkout.
– Morning session, 09:15 – 13:00
– Afternoon session, 14:00 – 18:00
– Evening session, 19:00 – 22:00
On October 2nd 2022 Julian is participating in a major festival presenting virtually the complete solo works of Chopin at St Mary’s Perivale. He is concentrating on the nationalistic, Polish side of the composer, with an unusual programme of mazurkas and polonaises. More information below.
St Leonard’s Church, Hythe
6th October 2022
Clare Hall, Cambridge
15th October 2022
Clare Hall, University of Cambridge, presents a concert by Julian Jacobson, who will play a selection of works by Haydn, Weber and Beethoven.
Haydn – Variations in F minor HOB.XII:6
Weber – 2nd Sonata in A flat Major opus 39
Beethoven – Sonata opus 31 number 3 (the Hunt)
Please visit the link below for tickets:
Beethoven’s Appassionata Piano Sonata Op.57.
Part of Julian’s Beethoven Marathon – all 32 Piano Sonatas played in one day. St Martin in the Fields Trafalgar Square, 15th October 2013; 9.15am — 10pm.
Liszt – Isolde’s Liebestod from Wagner’s Tristan und Isolde.
Immediately following the start of the first coronavirus lockdown, Julian determined to play a short piece every day, live from his studio in London. These “Lockdown Coffee Concerts” took place at 11 every morning from March 24 2020 till the beginning of May. The broadcasts aimed to bring a regular moment of relaxation and beauty at a very difficult time and acquired a substantial following.
Julian finished on a grand note with Liszt’s mighty transcription of Isolde’s Liebestod from Wagner’s Tristan und Isolde.
— Julian Jacobson (@JulianJacobso14) May 3, 2020
Julian’s “Vers La Valse”, for solo flute/alto flute and orchestra
Ileana Ruhemann, flute
Syred Sinfonia, conductor Julian Jacobson
St James’s Church Piccadilly, February 2007
“…Jacobson’s focused, colourful playing brought alive Beethoven’s late gems with thrilling drama…”
Read more here…..
Musical Opinion Quarterly
“…A disarming technique coupled with an undoubted intellectual mastery
made Julian Jacobson’s recital an awe-inspiring experience…”
“…Real poise, delicacy of touch and judicious pedalling… stylish and enchanting…”
“…this major British voice in world-ranking pianism, so justly celebrated by his faithful following…”
Music & Vision Daily